Investigates the relationship between dancing bodies, cinematography, and video editing. Exploring innovative ways to film movement, we examine the relationship between the moving body and camera. Students gain exposure to various methodologies and practices that can be directly applied to individual projects. We discuss parallels between choreography, cinematography, and video editing, and how these integrate to form the art of Screendance.

Introduces the art and craft of playwriting, focusing on short exercises and in-class writing assignments. Prerequisite: Instructor permission.

An introduction to the art and craft of screenwriting through the writing and discussion of short scripts. Will involve study of screenplays and films, and focus on the basic elements of screenwriting, including story structure, creation of character, and formatting.

This course examines the serious business of jokes, joke-telling, and laughter through the lens of stand-up comedy¿s evolution in the United States from the 1920s to the present day. We will explore how stand-up comedians have responded to and shaped pivotal moments in U.S. history and the advent of various mediated forms of entertainment. We will analyze how comedians have challenged, reinforced, and reimagined ideas of American citizenship, and shaped popular entertainment.

This seminar will examine queer performance and its many meanings in the contemporary United States. We will study a wide range of queer-identifying artists and artists with significant queer fan bases. We will also read foundational texts in queer studies and engage in various learning activities, such as writing prompts, group discussion, creative practice, and improvisation.

Hip Hop Theatre explores how elements of Ritual, Theatre, and the core principles of Hip Hop are shared by members of the Hip Hop community around the world. Students will examine the ways in which Hip Hop Theatre presents itself as a movement and a syncretic art form.

Combining tools, spaces, and skills of Arts Grounds, this course explores the design and construction of large moving creatures that culminates in The Stan Winston and Steven Warner Festival of the Moving Creature. Students will gain hands-on experience with materials, craft, and prototyping, and learn lessons from professional designers, artists, and Hollywood creature makers. This is a collaborative course, diving into storytelling and movement to bring each student¿s vision to life.

Scripted scenes, exercises, and ensemble work to expand the actor's approach to characterization and interpretation within various dramatic genres. Prerequisite: DRAM 3410 and instructor permission

Examines the art and craft of stage fighting, comparing its historical context with that of the theater. Focus is on the performance of the illusion of physical aggression and its dramatic intent, following the safety guidelines and techniques recommended by the Society for American Fight Directors. Prerequisite: Instructor permission.

A directed project-based study offered to upper-level students. Prerequisite: Instructor permission.