In this practice-based course, students will reexamine relations to their environment and generate strategies for a new environmental ethics that calls a human-centered world into question. Through reading, conversing, and moving, students consider how somatic and artistic practices might shift ecological understandings. Students will ask questions of and through modes of perception and experiment with an expanding empathy to enact new relations.

Investigates the relationship between dancing bodies, cinematography, and video editing. Exploring innovative ways to film movement, we examine the relationship between the moving body and camera. Students gain exposure to various methodologies and practices that can be directly applied to individual projects. We discuss parallels between choreography, cinematography, and video editing, and how these integrate to form the art of Screendance.

Introduces the art and craft of playwriting, focusing on short exercises and in-class writing assignments. Prerequisite: Instructor permission.

An introduction to the art and craft of screenwriting through the writing and discussion of short scripts. Will involve study of screenplays and films, and focus on the basic elements of screenwriting, including story structure, creation of character, and formatting.

This course provides a practical forum to employ and integrate a diverse array of existing and emerging media technologies into live performance and performative storytelling. Students will explore and experiment with new media-infused design approaches to enhance the narrative and to actively engage, communicate, and interact with the audience.

This course examines how has 20th and 21st century comedic performance spawned and/or reflected movements of social and cultural protest in the United States. From Jackie "Moms" Mabley's Civil Rights stand-up, to feminist sketches on SNL, to Hari Kondabolu's employment of de-colonial humor, we will engage in the complexities of joke-telling and its potential for mobilizing change.

Hip Hop Theatre explores how elements of Ritual, Theatre, and the core principles of Hip Hop are shared by members of the Hip Hop community around the world. Students will examine the ways in which Hip Hop Theatre presents itself as a movement and a syncretic art form.

Scripted scenes, exercises, and ensemble work to expand the actor's approach to characterization and interpretation within various dramatic genres. Prerequisite: DRAM 3410 and instructor permission

Examines the art and craft of stage fighting, comparing its historical context with that of the theater. Focus is on the performance of the illusion of physical aggression and its dramatic intent, following the safety guidelines and techniques recommended by the Society for American Fight Directors. Prerequisite: Instructor permission.

A directed project-based study offered to upper-level students. Prerequisite: Instructor permission.