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3.88
Fall 2025
In this practice-based course, students will reexamine relations to their environment and generate strategies for a new environmental ethics that calls a human-centered world into question. Through reading, conversing, and moving, students consider how somatic and artistic practices might shift ecological understandings. Students will ask questions of and through modes of perception and experiment with an expanding empathy to enact new relations.
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3.56
Spring 2026
New course in the subject of drama.
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3.57
Spring 2026
This course serves as an introduction to the principles and skills involved in the practice of Contact Improvisation. Students will explore and learn improvisational strategies for moving individually, in duets, and groups. With attention focused on responsiveness in the moment, students learn to think quickly and creatively and are encouraged to investigate the territory between familiarity and risk.
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3.81
Fall 2025
Investigates the relationship between dancing bodies, cinematography, and video editing. Exploring innovative ways to film movement, we examine the relationship between the moving body and camera. Students gain exposure to various methodologies and practices that can be directly applied to individual projects. We discuss parallels between choreography, cinematography, and video editing, and how these integrate to form the art of Screendance.
4.17
3.00
3.66
Fall 2025
Encourages the development of the director's analytical and rehearsal skills in translating text, actors, and space into valid and effective scenes; drawn from plays in the mode of psychological realism. Prerequisite: Dram 2020 required, and Dram 2010 preferred; Instructor permission
4.83
3.00
3.61
Spring 2026
What does it mean to produce theater? Is a theater producer an artist, a business leader, a visionary, or all the above? Participants will collaborate to produce a piece of contemporary theater with hands-on application of artistic, leadership and collaborative practices. Course discussions and projects will cover theater organization, mission, and legal structure, as well as collaborative creation, artistry, and design.
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Spring 2026
You will explore the craft and skills needed to produce and manage live theater and events of all kinds from the lens of stage management and backstage production. From design collaboration through performance this experiential survey of practical theater craft will include discussions, projects and site visits to elevate your understanding of theater and develop professional skills in project management. No experience necessary.
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3.65
Spring 2024
The goal of this workshop is to understand the aesthetics and techniques of film directing and to produce and direct a short film based on a screenplay. Students will study film directing aesthetics and technique, using a textbook, film viewings, critical analysis and class workshop activities. Students will apply this knowledge of directing as they produce and direct their own short film.
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3.89
Fall 2025
Introduces the art and craft of playwriting, focusing on short exercises and in-class writing assignments. Prerequisite: Instructor permission.
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3.87
Summer 2025
An introduction to the art and craft of screenwriting through the writing and discussion of short scripts. Will involve study of screenplays and films, and focus on the basic elements of screenwriting, including story structure, creation of character, and formatting.
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