Independent study conducted under the supervision of a specific instructor(s).

A workshop that explores several dimensions of theatrical self-expression through improvised exercises and situations. This course will employ lecture, discussion and performance activities to raise awareness and proficiency in improvisational techniques through dramatic interaction involving imagination and creativity. Prerequisite: Instructor permission.

A directed study in dramatic literature, history, theory or criticism offered to upper-level students. Prerequisite: Instructor permission.

This open-level studio course allows students to explore dance improvisation as a practice of attention, care, and relation. Through improvisational methods and structures, students will develop their skills as improvisers and begin to appreciate improvisation's role in composition (choreography), performance, and daily life.

For non-majors. Acquire and practice voice and speech techniques to build oral communication skills, confidence and enjoyment in public speaking, presentation or performance.

This practice-based course offers a broad introduction to concepts of the body in the context of performance. Using tools of theatre, dance, improvisation, and other mind/body practice, we will uncover the performative possibilities of our physical forms in relation to space and time. Together we will critically consider and actively explore a range of embodied approaches to increase bodily awareness and expand our expressive capacity.

The goal of this workshop is to write and prepare a short screenplay to be filmed in the Spring Semester in conjunction with DRAM 4760 Directing the Short Film (students must commit to both classes). Students will study script structure using textbooks, screenplays, and film. Students will apply this knowledge of screenplay structure and form as they write their own scenes and short screenplays.

In this studio course, students will explore various styles of western modern/contemporary concert dance as technical, expressive practices. Through movement combinations, improvisation, and mini-studies, students will work to deepen body awareness through modern and contemporary movement practices. Working towards efficiency and dynamic alignment, students will increase strength, flexibility, and become more articulate, expressive dancers.

Investigates the relationship between dancing bodies, cinematography, and video editing. Exploring innovative ways to film movement, we examine the relationship between the moving body and camera. Students gain exposure to various methodologies and practices that can be directly applied to individual projects. We discuss parallels between choreography, cinematography, and video editing, and how these integrate to form the art of Screendance.

New course in the subject of drama.