Studies the development of the scenic design as theatrical environment, from script analysis through research to completed scenic design.

Explores dance making through the investigation of various tools and approaches to movement generation and composition from western choreographic practices. Students will develop their skills as dance makers through movement explorations, readings, discussions, and viewings. Students will create multiple compositional studies to hone their abilities to make dances. Feedback sessions provide opportunities for critical reflection and discussion.

This course aims to deepen students' understanding of dance as a field of artistic and intellectual study. Students will be challenged to examine human movement as a historically situated cultural expression and to explore the relation between dance and various socio-cultural developments. The course will highlight the connection of dance and critical theory, focusing on notions of identity, subjectivity and embodiment.

Exercises and scene work emphasizing the development of the actor's vocal and physical resources as a means of creating and communicating character, emotion, and relationships. Prerequisite: DRAM 2020 and instructor permission

Introduces principles of vocal health, provides practical techniques for meeting the voice and speech demands of daily life and performance, and promotes life-long exploration of the speaking voice and the spoken word. Prerequisite: Instructor permission.

A workshop that explores several dimensions of theatrical self-expression through improvised exercises and situations. This course will employ lecture, discussion and performance activities to raise awareness and proficiency in improvisational techniques through dramatic interaction involving imagination and creativity. Prerequisite: Instructor permission.

In this practice-based course, students will reexamine relations to their environment and generate strategies for a new environmental ethics that calls a human-centered world into question. Through reading, conversing, and moving, students consider how somatic and artistic practices might shift ecological understandings. Students will ask questions of and through modes of perception and experiment with an expanding empathy to enact new relations.

Investigates the relationship between dancing bodies, cinematography, and video editing. Exploring innovative ways to film movement, we examine the relationship between the moving body and camera. Students gain exposure to various methodologies and practices that can be directly applied to individual projects. We discuss parallels between choreography, cinematography, and video editing, and how these integrate to form the art of Screendance.

Encourages the development of the director's analytical and rehearsal skills in translating text, actors, and space into valid and effective scenes; drawn from plays in the mode of psychological realism. Prerequisite: Dram 2020 required, and Dram 2010 preferred; Instructor permission

What does it mean to ¿produce theater¿? Is a theater producer an artist, a business leader, a visionary, or all the above? Participants will collaborate to produce a piece of contemporary theater with hands-on application of artistic, leadership and collaborative practices. Course discussions and projects will cover theater organization, mission, and legal structure, as well as collaborative creation, artistry, and design.