A directed study in acting or performance offered to upper-level students.Prerequisite: Instructor permission.

An introduction to the tools and technical processes of performance lighting. Students will explore a range of lighting technologies central to lighting production for live theatre, dance, opera, and concerts. Through lecture, demonstration, digital media, and hands-on experience, students are prepared for work as theatrical electricians and introduced to the craft essential to the theatrical lighting design process.

A workshop for writing extended pieces of dramatic literature. For students who have completed DRAM 3710 or by instructor permission.

The goal of this class will be to identify the values and worldviews that drive change-oriented artistry, and for students to identify the values and worldviews that drive their own artistry. The course will explore the forms of community-based performance including ensemble, devised, religious, activist, educational and autobiographical performance.

This course provides a practical forum to employ and integrate a diverse array of existing and emerging media technologies into live performance and performative storytelling. Students will explore and experiment with new media-infused design approaches to enhance the narrative and to actively engage, communicate, and interact with the audience.

This course examines the serious business of jokes, joke-telling, and laughter through the lens of stand-up comedy¿s evolution in the United States from the 1920s to the present day. We will explore how stand-up comedians have responded to and shaped pivotal moments in U.S. history and the advent of various mediated forms of entertainment. We will analyze how comedians have challenged, reinforced, and reimagined ideas of American citizenship, and shaped popular entertainment.

This course explores how to turn everyday spaces into stages. Discover how ordinary rooms, streets, parks, vehicles, and other spaces of daily life can be transformed by story-telling and creative performance!  We will study different principles for designing spaces for immersive, site-specific, environmentally aware, and other kinds of performances. Open to all students who are interested in storytelling in different spaces.

Investigates somatic practices and methodologies as embodied research. Through movement practice, readings, and discussions we explore multiple concepts and tools that can deepen embodied practices. This course offers an opportunity to foster awareness, expand individual movement choices, and increase clarity of expression. In so doing, we may broaden our capacity to listen, perceive, and relate to ourselves, one another, and the world around us.

Independent study conducted under the supervision of a specific instructor(s).

What does it mean to produce theater? Is a theater producer an artist, a business leader, a visionary, or all the above? Participants will collaborate to produce a piece of contemporary theater with hands-on application of artistic, leadership and collaborative practices. Course discussions and projects will cover theater organization, mission, and legal structure, as well as collaborative creation, artistry, and design.