This course examines the history of slavery and its legacy at UVA and in the central Virginia region. The course aims to recover the experiences of enslaved individuals and their roles in building and maintaining the university, and to contextualize those experiences within Southern history.

An intro to the broad field of Native Studies, this class focuses on themes of representation and erasure. We read Indigenous scholars and draw from current events, pop culture, and historical narrative to explore complex relationships between historical and contemporary issues that Indigenous peoples face in the US. We examine the foundations of Native representations and their connections to critical issues in Native communities.

In the 1930s, many people employed in the German film industry whose lives were threatened by Nazism took refuge in Hollywood. This course examines the contributions exiled directors, writers, actors, and others made in genres ranging from comedy and melodrama to film noir. In addition to indicting fascism and reflecting on the trauma of forced migration these films often turned a critical eye on the U.S..

New Course in the subject of American Studies

This course explores the origins and impacts of American hip-hop as a cultural form in the last forty years, and maps the ways that a local subculture born of an urban underclass has risen to become arguably the dominant form of 21st-century global popular culture. While primarily focused on music, we will also explore how forms such as dance, visual art, film, and literature have influenced and been influenced by hip-hop style and culture.

This seminar is intended to focus study, research, and discussion on a single period, topic, or issue, such as the Great Awakening, the Civil War, the Harlem Renaissance, the Great Depression, or the 1960s. Topics vary.

New Course in subject of American Studies.

What does "spiritual but not religious" mean, and why has it become such a pervasive self-description in contemporary America? This interdisciplinary course surveys spirituality in America, with a particular eye for the relationship between spirituality and formal religion, on the one hand, and secular modes of understanding the self, such as psychology, on the other.

This course provides an introduction to film studies through an examination of American film throughout the 20th & 21st centuries. We will learn basic film techniques for visual analysis, and consider the social, economic, and historical forces that have shaped the production, distribution & reception of film in the US Examples will be drawn from various genres: melodrama, horror, sci-fi, musical, Westerns, war films, documentary, animation, etc.

In the US, Vietnam signifies not a country but a lasting syndrome that haunts American politics and society, from foreign policy to popular culture. But what of the millions of Southeast Asian refugees the War created? What are the lasting legacies of the Vietnam War for Southeast Asian diasporic communities? We will examine literature and film (fictional and documentary) made by and about Americans, Vietnamese, Cambodians, Laotians, and Hmong.