This course examines the relationship between Latinx and Indigenous communities and the environment from a sociocultural, anthropological and historical perspective.Texts encompass the fields of history, anthropology, sociology, environmental studies, and often require thinking and analysis that questions understandings of land, development, race, science, health, and wellness on a state, local, and international level.

In the 1930s, many people employed in the German film industry whose lives were threatened by Nazism took refuge in Hollywood. This course examines the contributions exiled directors, writers, actors, and others made in genres ranging from comedy and melodrama to film noir. In addition to indicting fascism and reflecting on the trauma of forced migration these films often turned a critical eye on the U.S..

This seminar is intended to focus study, research, and discussion on a single period, topic, or issue, such as the Great Awakening, the Civil War, the Harlem Renaissance, the Great Depression, or the 1960s. Topics vary.

New Course in subject of American Studies.

This course treats a range of contemporary English language literatures about girlhood. Our comparative analyses of texts will pay particular attention to their play with genre and their use of literary devices -- e.g., structure, voice, point of view, dialogue, temporality, language -- to render narratives about girlhood in contexts of (im)migration, loss, displacement, violence, revolution, war, and trauma.

This course examines foodways (the ideas, practices, and material realities surrounding food) through the interdisciplinary lens of American Studies. Focusing on borderlands as sites of cultural exchange, conflict, and creativity, we will explore how food shapes and is shaped by histories of migration, empire, race, class, gender, and labor.

This course explores the critical and the constructive dimensions of African American political thought from slavery to the present. We will assess the claims that black Americans have made upon the polity, how they have defined themselves, and how they have sought to redefine key terms of political life such as citizenship, equality, freedom, and power.

This course studies modern racial protest expressed through African American narrative art from the 1930s to 1980s, focusing on Civil Rights, Black Power, Black Panthers, womanism, black gay/lesbian liberation movements, and black postmodernism. We begin our study with the most famous protest novel, Richard Wright's Native Son. Then we examine other narratives including works by Angelo Herndon, Ann Petry, James Baldwin, Martin Luther King, Jr.

This course analyzes 'point-of-view' journalism as a controversial but credible alternative to the dominant model of 'objectivity' in the U.S. news media. It will survey point-of-view journalists from Benjamin Franklin to the modern blog.

This class explores the political connections between race, gender, and music. The course considers questions of representation, the practice and politics of listening, the political and economic modes of production, and racial formation. In order to explore these topics, this version of the course is broken into three thematic sections: Sound, Score, and Structure. The course is taught intersectionally, meaning we will deal with issues of race, gender, sexuality, labor, and national identity.