This course studies modern racial protest expressed through African American narrative art from the 1930s to 1980s, focusing on Civil Rights, Black Power, Black Panthers, womanism, black gay/lesbian liberation movements, and black postmodernism. We begin our study with the most famous protest novel, Richard Wright's Native Son. Then we examine other narratives including works by Angelo Herndon, Ann Petry, James Baldwin, Martin Luther King, Jr.

AMST 3300 offers students close study of significant texts and other cultural forms representing the perspective and contributions of the main Latinx populations in the United States--including those of Puerto Rican, Chicano, Dominican, Central American and Cuban American origin--in historical context and within a theoretical, analytical framework.

This course analyzes 'point-of-view' journalism as a controversial but credible alternative to the dominant model of 'objectivity' in the U.S. news media. It will survey point-of-view journalists from Benjamin Franklin to the modern blog.

This class explores the political connections between race, gender, and music. The course considers questions of representation, the practice and politics of listening, the political and economic modes of production, and racial formation. In order to explore these topics, this version of the course is broken into three thematic sections: Sound, Score, and Structure. The course is taught intersectionally, meaning we will deal with issues of race, gender, sexuality, labor, and national identity. 

This course offers a fast-paced history of popular music in the United States since 1970.  Instead of following a chronological time-line of a half a century, the course is organized around the sounds and stories of seven major genres: rock, R&B, country, punk, hip hop, dance music, and pop.  We will pay particular attention to the shifting meanings of these genres over time, to how they change, collude, collide, and create continuity in both sound and community.  

Topics vary according to instructor.

Asian Americans and Popular Culture surveys a history of Asian American racialization, experiences, and subject formation in the United States through film, comics, TV, theatre, music, public protest, sports, and social media. Students will learn how to analyze and develop creative work to respond to and re/frame debates on the politics of representation, exoticization, cultural appropriation, transnationalism, hybridity, and US immigration laws.

Iconic American sites such as Monticello, Walden Pond, and our network of national parks have inspired generations of Americans. But displacement is just as much a part of our national identity. In this class we will analyze fiction, journalism, film, paintings, photographs and other elements of visual culture that document the stories of Indigenous dispossession, housing discrimination, Japanese internment, redlining, gentrification, and homelessness. 

This class examines the history of voluntary, coerced, and forced migration in the U.S., tracing the paths of migrating groups and their impact on urban, suburban, and rural landscapes. We'll dig for cultural clues to changing attitudes about migration over time. Photographs, videos, books, movies, government records, poems, podcasts, paintings, comic strips, museums, manifestos: you name it, we'll analyze it for this class.

Analyzes selected works of literature by major Southern writers. For more details on this class, please visit the department website at http://www.engl.virginia.edu/courses.