In this course we will read texts by Latinx writers from Puerto Rico, Cuba and the Dominican Republic. We will explore how their works speak to issues of race, colonialism and imperialism based on their individual and shared histories. We will discuss their different political histories and migration experiences and how these in turn impact their literary and artistic productions in the US.

What does "spiritual but not religious" mean, and why has it become such a pervasive self-description in contemporary America? This interdisciplinary course surveys spirituality in America, with a particular eye for the relationship between spirituality and formal religion, on the one hand, and secular modes of understanding the self, such as psychology, on the other.

This course explores the critical and the constructive dimensions of African American political thought from slavery to the present. We will assess the claims that black Americans have made upon the polity, how they have defined themselves, and how they have sought to redefine key terms of political life such as citizenship, equality, freedom, and power.

This course provides an introduction to film studies through an examination of American film throughout the 20th & 21st centuries. We will learn basic film techniques for visual analysis, and consider the social, economic, and historical forces that have shaped the production, distribution & reception of film in the US Examples will be drawn from various genres: melodrama, horror, sci-fi, musical, Westerns, war films, documentary, animation, etc.

This course examines the history of slavery and its legacy at UVA and in the central Virginia region. The course aims to recover the experiences of enslaved individuals and their roles in building and maintaining the university, and to contextualize those experiences within Southern history.

AMST 3300 offers students close study of significant texts and other cultural forms representing the perspective and contributions of the main Latinx populations in the United States--including those of Puerto Rican, Chicano, Dominican, Central American and Cuban American origin--in historical context and within a theoretical, analytical framework.

This class examines the history of voluntary, coerced, and forced migration in the U.S., tracing the paths of migrating groups and their impact on urban, suburban, and rural landscapes. We'll dig for cultural clues to changing attitudes about migration over time. Photographs, videos, books, movies, government records, poems, podcasts, paintings, comic strips, museums, manifestos: you name it, we'll analyze it for this class.

New Course in the subject of American Studies.

This course offers a survey of Latinx literature and film from a hemispheric perspective. Engaging texts from colonial times to the present day, we explore how the histories of the US, Latin America, Europe, Africa and Asia come together to produce novels, poems, essays and films that are now referred to as distinctly Latinx.

This course analyzes 'point-of-view' journalism as a controversial but credible alternative to the dominant model of 'objectivity' in the U.S. news media. It will survey point-of-view journalists from Benjamin Franklin to the modern blog.