This course will train students to understand and evaluate global cultures from a critical and culturally sensitive perspective.

Introductory survey of principles and practices of arts administration, as the crossroads of art and audience.

An introductory course, divided into three segments, which serves as a prerequisite to all studio courses. In Drawing students will learn observational drawing and how visual thinking connects with the hand. The Conceptual segment will exercise creative problem-solving skills and teach students to engage in critical discourse. The Digital segment teaches basic technical skills and digital tools including still and moving image and sound.

Investigates the sculptural process through modeling, carving, fabricating and casting. Examines traditional and contemporary concerns of sculpture by analyzing historical examples and work done in class.

Art in the 20th Century surveys visual art from 1900 to 2000 with an international perspective. Major questions and themes will be tracked across a range of media (sculpture, painting, printmaking, video art, performance art, etc), attending to the social, theoretical, and practical concerns structuring the making and reception of modern and contemporary art.

This course will train students to understand and critically evaluate comparative, modern global cultures.

Subject varies with the instructor, who may decide to focus attention either on a particular period, artist, or theme, or on the broader question of the aims and methods of art history. Subject is announced prior to each registration period. Representative subjects include the life and art of Pompeii, Roman painting and mosaics, history and connoisseurship of baroque prints, art and politics in revolutionary Europe, Picasso and painting, and problems in American art and culture. Prerequisite: Instructor permission.

Introduction to Oil-based painting.

Intensive independent work using either digital media, filmmaking, painting, photography, printmaking, or sculpture as the primary medium, culminating in a coherent body of work under direction of a faculty member. Prerequisite: Admission to the Advanced Major or Distinguished Major Program.

Introduces the artistic traditions of China, Korea, and Japan, from prehistoric times to the modern era. Surveys major monuments and the fundamental concepts behind their creation, and examines artistic form in relation to society, individuals, technology, and ideas.