• ARTS 2632

    Life Drawing II
     Rating

    5.00

     Difficulty

    3.00

     GPA

    3.69

    Last Taught

    Spring 2026

    Creations of drawings of a living model in various media. Topics include artistic anatomy, figure and portrait drawing. Prerequisite: ARTS 2610.

  • ARTS 2670

    Introduction to Intaglio & Monotype Printmaking
     Rating

    5.00

     Difficulty

    4.00

     GPA

    3.63

    Last Taught

    Spring 2026

    Introduction to intaglio printmaking and monotype techniques, including hard and soft ground etch, aquatint, and drypoint.

  • ARTS 2672

    Introduction to Lithography & Relief Printmaking
     Rating

    3.89

     Difficulty

    4.33

     GPA

    3.76

    Last Taught

    Spring 2026

    Introduction to Lithography (planographic), and woodcut and other relief printmaking processes.

  • ARTS 2710

    Introduction to Water-Based Painting
     Rating

     Difficulty

     GPA

    3.71

    Last Taught

    Spring 2026

    Introduction to basic water painting techniques and materials (including acrylic, gouache, and water color), emphasizing perception and color. Assignments are designed to assist the student in understanding the creative process and interpreting the environment through a variety of subject matter expressed in painted images. Encourages individual stylistic development.

  • ARTS 2712

    Introduction to Oil-Based Painting
     Rating

    5.00

     Difficulty

    3.00

     GPA

    3.84

    Last Taught

    Spring 2026

    Introduction to Oil-based painting.

  • ARTH 2745

    African American Art
     Rating

     Difficulty

     GPA

    3.50

    Last Taught

    Spring 2026

    This course surveys visual art produced by artists of African descent in the United States from the late-nineteenth century to the present. Relationships between artistic practice, socio-political developments, and critical theory are stressed in an examination of a range of modern and contemporary practices, including painting, sculpture, photography, and performance art.

  • ARTH 2769

    Queer Histories of US Art, 1950s-90s
     Rating

    5.00

     Difficulty

    2.00

     GPA

    3.62

    Last Taught

    Spring 2025

    This course examines the flourishing of queer artistic production (painting, sculpture, film, photography, performance, and conceptual art) in the United States after World War II. It will chart how--despite attempts to censor or erase them--artists working with lesbian, gay, otherwise non-heterosexual, and/or transgender themes made major contributions to the development of art, culture, society, and politics in the United States.

  • ARTS 2810

    Introduction to Sculpture: Clay in Context
     Rating

    4.60

     Difficulty

    3.90

     GPA

    3.71

    Last Taught

    Spring 2026

    This course introduces ceramics through hand-building, mold-making, glazing and surface techniques, emphasizing clay's cultural, historical, and contemporary roles. Students explore functional forms, sculpture, and installation, pushing the medium beyond tradition. Projects, critiques, and discussions build technical skills and conceptual understanding. No experience required.

  • ARTS 2812

    Introduction to Sculpture: Wood, Metal & Casting Techniques
     Rating

    2.00

     Difficulty

    3.00

     GPA

    3.88

    Last Taught

    Spring 2026

    This course introduces core sculpture skills in wood, metal, and casting. Through hands-on projects, students explore material properties, structure, and conceptual approaches to form. Emphasizing traditional and contemporary methods, the course fosters experimentation and critical thinking. Students also examine how sculpture interacts with space and architectural environments.

  • ARTH 2861

    East Asian Art
     Rating

    3.48

     Difficulty

    3.18

     GPA

    3.33

    Last Taught

    Fall 2025

    Introduces the artistic traditions of China, Korea, and Japan, from prehistoric times to the modern era. Surveys major monuments and the fundamental concepts behind their creation, and examines artistic form in relation to society, individuals, technology, and ideas.