Survey of jazz music from before 1900 through the stylistic changes and trends of the twentieth century; important instrumental performers, composers, arrangers, and vocalists. No previous knowledge of music required.

Studies the range of music that has flourished since the end of the 19th century including modernist and post-modern art music, popular music, and world music, through historical, critical, and ethnographic approaches. Prerequisite: The ability to read music, or any three-credit course in music, or instructor permission.

The course teaches a blended approach to performance, composition and computer programming through the context of a computer music ensemble. Students from various backgrounds work collaboratively in a technological ensemble context while building skills in interactive media programming, sound art design and human-computer interaction. They explore a new way of making ensemble music in collaboration with interactive and networked computer systems.

This course reviews the history of Motown Recording Company beginning with the Great Migration and examines how Motown helped shape today¿s record industry. We will explore topics around artist social responsibility, law, mental health, and technology. Students will also compare how black social movements influenced and reflected the music of Motown, Stax Records, and Philadelphia International Records.

Studies the pitch and rhythmic aspects of several musical styles, including European art music, blues, African drumming, and popular music. Focuses on concepts and notation related to scales and modes, harmony, meter, form, counterpoint, and style. Prerequisite: Ability to read music, and familiarity with basic concepts of pitch intervals and scales..

Lab course providing practical experience with many aspects of musical perception and performance, such as accurate vocal production of pitch, musical memory, identification of intervals and rhythmic patterns, and uses of notation in dictation and sight-singing. Students entering this sequence take a test to determine the appropriate level of their first course. Students enrolled in MUSI 3310, 3320 or 4331 have priority; course open to other students as space permits. Prerequisite: Instructor permission.

Studies in the basic technique and art of conducting, with weekly experience conducting repertoire with a small choral ensemble. Prerequisite: basic ear training, sight-reading. Previous experience in a choral or instrumental ensemble is preferred. Interested students should consult with the instructor before registering. Instructor permission is required.

Selected topics, announced in advance, exploring the study of music within cultural and historical frameworks.

Students gain hands-on experience with synthesizers, music notation software, and the control of MIDI instruments via computer. Prerequisite: Instructor permission.

Not open to students already qualified to elect MUSI 2302 or 3310. Study of the rudiments of music and training in the ability to read music. Prerequisite: No previous knowledge of music required.