This course will cover the basic skills needed for building new musical interfaces. The first skill, and the primary topic of this course is Sound Synthesis. We will learn about the most common ways for digitally generating (synthesizing) musical sounds. This includes various concepts from musical acoustics and psychoacoustics. But it also includes the practical details of how to actually synthesize sound on a digital computer.

Studies in the basic technique and art of conducting, with weekly experience conducting repertoire with a small choral ensemble. Prerequisite: basic ear training, sight-reading. Previous experience in a choral or instrumental ensemble is preferred. Interested students should consult with the instructor before registering. Instructor permission is required.

We often wonder about an artist's immense creativity, seemingly harnessed with ease. Each of us has tremendous resources of creativity, often under-explored. In this course, students learn to unlock their own potential. No previous artistic experience is required. Activities include readings & discussions; weekly responses; two reflective papers; a presentation on a "found" resource; & one creative project in a medium of the student's choice.

"Learn to Groove" hand drumming and rhythmic fluency with Robert Jospe. This is the intermediate level of the class. It is a hands on drumming/percussion class using congas, djembes, claves, shakers, etc. This class is designed to enhance ones knowledge of syncopated patterns associated with jazz, rock, African and Latin American music and to improve ones facility in playing these patterns.

A practical, hands-on course focusing on several music/dance forms from West Africa (Ghana, Togo) and Central Africa (BaAka), with the intention of performing during and at the end of the semester. Traditions include drumming, dancing, and singing. Concentration, practice, and faithful attendance are required. May be repeated for credit.

Jazz Ensemble Prerequisite: Instructor permission by audition. Note: Because the subject matter changes each semester, courses numbered MUEN 3600-3690 may be repeated for credit, but no more than sixteen performance credits may be applied toward the baccalaureate degree in the College.

Orchestra Prerequisite: Instructor permission by audition. Note: Because the subject matter changes each semester, courses numbered MUEN 3600-3690 may be repeated for credit, but no more than sixteen performance credits may be applied toward the baccalaureate degree in the College.

This course seeks to develop the playing, singing, and improvising skills necessary for the idomatic performance of bluegrass music, while also providing an opportunity for discussion of its origins and development. Appropriate for experienced players working to improve their knowledge or for players versed in other genres to learn new styles.

This course seeks to develop the advanced playing, singing, improvising, and collaborating skills necessary to perform in a bluegrass band, along with knowledge of bluegrass history and repertoire. Prerequisite: MUEN 3645

Selected topics, announced in advance, exploring the study of music within cultural and historical frameworks.