In this class we will explore the historical context of serial media, from the journal projects of the German Romantics to the second golden age of television. After a historical survey and a discussion of terminology ("series," "serial") we will examine certain specific "series" including Charles Dickens' Pickwick Papers, Marcel Duchamp's Ready-mades, or the German Netflix show "Dark."

This course traces the lineage and shapes of the Arthurian legend as witnessed in medieval literature and modern adaptations, including film and television ("Games of Thrones," "Star Wars," etc.) The aim is familiarity with the story of King Arthur and his court, as well as an ability to appreciate the permutations of the legend in all forms of media.

Using mentor texts based on digital cultural programming, students focus on a range of topics of culture and civilization in the contemporary German-speaking world. Beyond cultural competence, the writing assignments test command of mature grammatical structures, contemporary language, advanced idioms, and punctuation. The goal, following Goethe Institute guidelines, is to write comprehensive texts on a range topics. Prerequisite: GERM 3000.

Reading and discussion of German texts compared to texts from other literatures (all in English translation), with the aim of illuminating a central theoretical, historical, or social issue that transcends national boundaries. For more details on this class, please visit the department website at: http://www.virginia.edu/german/Undergraduate/Courses.

Entering the world of fairy tales often feels like passing into an elaborate dream: it is a world teeming with sorcerers, dwarves, wondrous objects, and animals that speak. This seminar explores fairy tales and dream narratives in literature and film from the romantic period into the present. Authors to be discussed include: Goethe, the brothers Grimm, Bettelheim, Hoffmann, Freud, Saint-Exupery, Tolkien, and others.

Introduces the essentials of German structure and syntax; emphasizes oral and written proficiency in German. Followed by GERM 1020.

A survey of German cultural history from the enlightenment to the present, and an introduction to the field of German Studies. For more details on this class, please visit the department website at: http://www.virginia.edu/german/Undergraduate/Courses. .

Explores the relationship between facts and fiction in the representation of the past. Course materials range from archival sources and scholarly articles to novels, films, paintings, sculptures, poems and other creative articulations of the historical imagination. The role of the new media and media analysis in the representation of history will also be examined. Topics vary annually.

This course provides the opportunity to offer a new topic in the subject area of German.

This course explores how West German art cinema of the 1960s-80s reinvented filmmaking, remembered the Nazi past, and rebelled against cultural and political institutions. In dialogue with films by Werner Herzog, Helke Sander, R. W. Fassbinder, Margarethe von Trotta, and others, we will examine the aesthetic and political possibilities of cinema, in the context of an affluent consumer society with a violent past that many preferred to forget.