Detailed survey of the historical origins, political structures, cultural dynamics, and every-day practices of the Nazi Third Reich. Cross-listed in the history department. Taught in English.

Entering the world of fairy tales often feels like passing into an elaborate dream: it is a world teeming with sorcerers, dwarves, wondrous objects, and animals that speak. This seminar explores fairy tales and dream narratives in literature and film from the romantic period into the present. Authors to be discussed include: Goethe, the brothers Grimm, Bettelheim, Hoffmann, Freud, Saint-Exupery, Tolkien, and others.

In this class we will explore the historical context of serial media, from the journal projects of the German Romantics to the second golden age of television. After a historical survey and a discussion of terminology ("series," "serial") we will examine certain specific "series" including Charles Dickens' Pickwick Papers, Marcel Duchamp's Ready-mades, or the German Netflix show "Dark."

Readings in philosophical and social history of Germany from the late 19th century onward.

Explores the friend/foe nexus in German history, literature and culture, with an emphasis on the 19th and 20th centuries. For more details on this class, please visit the department website at: http://www.virginia.edu/german/Undergraduate/Courses.

This course traces the lineage and shapes of the Arthurian legend as witnessed in medieval literature and modern adaptations, including film and television ("Games of Thrones," "Star Wars," etc.) The aim is familiarity with the story of King Arthur and his court, as well as an ability to appreciate the permutations of the legend in all forms of media.

Introduces the most significant texts of Holocaust literature and surveys important philosophical and historical reflections on the meaning of the Holocaust.

In the 1930s, many people employed in the German film industry whose lives were threatened by Nazism took refuge in Hollywood. This course examines the contributions exiled directors, writers, actors, and others made in genres ranging from comedy and melodrama to film noir. In addition to indicting fascism and reflecting on the trauma of forced migration these films often turned a critical eye on the U.S..

Studies selected aspects of German culture, such as opera. May be repeated for credit. Prerequisite: GERM 3010 or 3230.

This course provides the opportunity to offer a new topic in the subject area of German.